July 2008

‘Recycling South African Contemporary Art’, ‘Democratise your art collection’ ‘Deprivatising Contemporary Art’ are tag lines of the Joburg Art Bin, a project which launched at the Bag Factory last Friday night in association with the Bag Factory’s About Art programme. 

It is no surprise that these tag lines, included in the initial advertisement for the project, stirred some reaction and at the Bag Factory we received more email responses questioning or objecting than we have previously received for an About Art project.  We also received a higher than usual attendance on the rather chilly evening of the panel discussion than we usually would on a Friday night. 

These deliberately cheeky and seemingly shallow slogans achieved what they were designed to provoke – a response.  Though, curiously, some who objected to the premise of the project declined to attend the panel discussion on the grounds that they did not agree with the project.  Surely this would be the very reason to attend if one strongly disagrees with a contentious project?  How often, as a member of the public, is one asked to voice an opinion and if one has a strong opinion, why would one decline the opportunity?

Indeed, many of the attending panellists had strong objections to the project and despite the frivolous nature of the satirical take on Marxist rhetoric included in the e-invite, the conversation delved into some serious matters regarding copy-write and ownership when it come to the preservation, handling and exchange of art objects. 

But let us back track a bit, What is Joburg Art Bin and what are they proposing? 

Joburg Art Bin is a project facilitated by a loose collective of three artists, Paul Cooper, Brendan Grey and Landi Raubenheimer who for the purposes of this project are calling themselves Empty Office. 

To quote the collective directly: 

‘Empty Office contends that the intention of much contemporary art to reflect and affect social change is nullified through its commoditisation by the privileged classes and should therefore be democratized by recuperating it and inserting it into the public sphere.’ 

Or to simplify, Empty Office would like to invite members of the art collecting public to drop off some of their art in specially designed bins at the Bag Factory.  This donated art will then be reworked, recycled and reinvented into proposals for a public art work.  A presentation of these proposals will take place in the Bag Factory Gallery space.  Proposals and not artworks, so once again the public is given the space to comment. 

This is not the brazen destruction of an artwork.  It is not the reinvention of history to suit a current mode of thinking nor is it a white-washing, pulling down of monuments and changing of street names designed to remove hurt but equally any reminder of what horror lurks when we forget our past mistakes.  This is not a book burning. 

One has to carefully consider the kinds of objects that will be donated to the Art Bin: that which is no longer of value to the owner because, as Empty Office put it, it has reached its sell by date or because it has been damaged in some way.  A reinterpretation of such work potentially adds value rather than criticism.  It is creative rather than destructive and possibly adds poetic reference to the initial intention of the original artist.  It gives second life.  What will transpire remains to be seen. 

Ironically the acronym for Joburg Art Bin is JAB, and this is what the project seems to have begun to achieve.  A jab not to offend, but a sharp awakening to consider what one’s opinions and views are on the value of the art object.  Regardless of one’s opinions on the project as a whole, the questions raised by it were a catalyst at the panel evening for a discussion around what we treasure in an art object.  Is it always the initial statement or vision of the artists?  Their views or their vision?  Or do we begin to focus more on the commercial value of an object – what it sells for or how old it is?  What do we oppose more, the burning of a Ferrari or a pile of old school books? 

There is no correct answer here, but there is plenty of space to put forward an opinion.

Empty Office will begin posting their progress and thoughts on the Bag Factory blog.  Please feel invited to comment.

Rat Western

Newsletter Editor

rat@bagfactoryart.org.za