Bag Factory Artists' Studios

 

Tel/Fax +27 11 834 9181
Email: info@bagfactoryart.org.za


News Bytes


- SA arts Emerging Exhibition

-
About Art Programme


-
The Body Electric: Interactive Workshop with     Nathaniel Stern

-
David Koloane at the Seville Biennale

-
Resident Exhibition: Self/Destruct

 

- Diana and Dinkies at the Red Line


- New Residents

 

 

Opportunities

- X-CAPE Extension

-
The ArtHeat ProjectSpace


-
Kazoo: Call For Proposals


- IDENSITAT


-
Critical Voices 2007:

An Arts Writing and Editing Workshop by Sean O’Toole





 


November 2006

I have recently met a few people who have mentioned to me that they receive the Bag Factory news letter and that they enjoy reading it.  This, naturally, gives me a certain amount of satisfaction in my job. 

 

But, to be honest, they could also tell me that they disagree with my editorials or dislike my writing style and this would still please me.  The reason being, that writing e-newsletters can sometimes be like writing into a void.  There is no way to tell how many people one actually reaches.  It is possible to track how many emails are opened but one can never prove whether the mails are actually read.

 

This is probably true for most writing. Although the sales of publications tend to illustrate consumer taste in journalism, there is equally no way to tell that one’s newspaper article is the literary choice of the purchaser and that the end user is not in fact said consumer’s rain-puddle dirty shoes or the family pet and his food bowl. 

 

The joy of online critique however, is the reduced cost of publishing compared with magazines and newspapers.  It is there for surprising that more people in this country do not make use of this platform.  There are a few local artists who have set up their own websites and weblogs from which they comment and critique the art scene around them. 

 

What is curious, is how these artists/critics are then treated as part of the established media and how the public then requires them to censor their opinions or show no bias in what they choose to write about.  Both Nathaniel Stern’s blog http://nathanielstern.com/blog and Cape Town based Art Tabloid http://www.artheat.blogspot.com have been criticised for being too cliquey or personal in their commentary.  http://www.artthrob.co.za/06july/news/blogs.html

http://nathanielstern.com/blog/2006/07/08/artthrob-and-a-new-look/ 

 

The public’s need for these private projects to speak more objectively perhaps stems from a serious lack of constructive critical writing happening in the local press.  Most of the major newspapers have cut back on their arts writing and when certain shows or events aren’t written about; those involved seem to require some commentary from the independent artists’ sites.  The fact is it is not the responsibility of these artists to fill in the gaps – particularly on the platforms they have set up for their own personal use with their own agenda. 

 

What does present a glimmer of hope is how there seems to be an increasing interest in the encouragement of emerging critical writers.  This month’s artthrob 6 October 2006 published two student reviews from a class of graduate students at UCT. Other lecturers around the country are also invited to contact the editor@artthrob.co.za to arrange to submit reviews from their own students. 

 

The KZNSA has also extended the deadline for submissions for its Arts writing and editing workshop with Sean O’Toole – Critical Voices. (See Opportunities)

 

Encouraging more writers to write critically and constructively and encouraging more people to read, comment on or disagree with these writings, sets up a healthy dialogue which improves not only the quality of the arts critical writing in a community, but the thinking about art and the making of it.

And if no one is writing on something you would like written about?

Best Plan: Start writing it yourself.

Rat Western
Newsletter editor

rat@bagfactoryart.org.za.

 

 

 


News Bytes


SA arts Emerging Exhibition

The Bag Factory recently hosted an exhibition and series of workshops
organised by the website team SA arts emerging http://saartsemerging.org  The website was started at the end of last year in order to provide a platform for profiling young emerging artists whose work is often not publicised due to its emerging status.  Since its beginning, SAarts has profiled a new artist every month. In celebration of nearly a year of activity, SAarts decided to present a physical manifestation of all those who have been involved. 

 

The series of events included Collecting Digits, a Panel Discussion, on the 6th of October, at WSOA Digital Arts, Wits University.  The panel - Franci Cronje, Warren Siebrits, Nathaniel Stern, and Clive Kellner - discussed ‘the challenges and obstacles to curating and selling digital art in South Africa’ as well as topics concerning the state of emerging arts in this country.  (read more here http://nathanielstern.com/blog/2006/10/08/collecting-digits-the-upgradejhb-digital-soiree-panel-discussion/)


The main exhibition opened that night and was well attended by the public.  Works were exhibited by Lester Adams, Colleen Alborough, Doung Anwar Jahangeer, Christo Doherty, Shane de Lange, Stephan Erasmus, Ismail Farouk, Simon Gush, Dean Henning and Rike Sitas, Bronwyn Lace, Hannes Olivier, Vaughn Sadie, Nathaniel Stern, Rat Western, and Asha Zero. 

 

On Saturday, 7 October 2006, the artists held a walkabout and were joined by a Zambian reporter, Andrew Mulenga, from the newspaper The Post. (Read his article here http://www.post+rfRE//zambia.com/post-read_article.php?articleI/d=16700)  The walk about was followed by another Panel discussion, this time featuring Storm Janse van Rensburg who spoke about his Young Artist Project at the KZNSA Gordon Froud spoke about his project space RainForest which profiles young artists and Johan Thom spoke about Abrie Fourie’s project space, Outlet, at Tswane University of Technology.

 

SAarts wishes to thank National Lottery Distribution Fund, Royal Netherlands Embassy, WK Kellogg Foundation and the Ford Foundation whose funding made this programme possible.

 

SAartsEmerging was founded, and is maintained, by Nathaniel Stern, Bronwyn Lace, Simon Gush and Rat Western.

 

About Art workshop programme

 

The Bag Factory has recently launched its artist education programme, About Art.  This project seeks to address a gap in the learning and experience of artists practicing in Johannesburg today.  The programme is aimed at a variety of audiences and will examine skills development, business practice and marketing through formal lectures, practical workshops and critiques and event based presentations.  These courses will be run by several different professional practitioners working in the fields of visual arts, arts management, critical writing, curation and corporate collecting.  We will keep you posted on upcoming lectures and workshops.

For more information about the programme please contact the education officer, Bronwyn Lace at bronwyn@bagfactoryart.org.za


Nathaniel Interactive Workshop The Body Electric

 

The first event in association with the Bag Factory’s education programme, About Arts was conducted by interactive installation artist and physical computing expert, Nathaniel Stern from 13 – 15 October.  Stern began his workshop with a Friday evening lecture on a brief history of interactive installation and video art where he showed various examples of such work both locally and abroad. 

 

The lecture was followed on the Saturday and Sunday by a hands-on practical workshop where Stern taught basic programming concepts and the applications MaxMSP and Jitter.  The workshop participants all created what Stern refers to as ‘a stupid pet trick.’ The idea of the ‘pet trick’ is to make something simple in order to learn the basics of the applications. 

 

The workshop was attended by programmers, practicing artists, curators and a musician and so set up relationships for potential future collaborative and interdisciplinary work.


David Koloane at the Seville Biennale

 

David Koloane has returned this week from the Second Edition of the International Biennial of Contemporary Art of Seville (BIACS 2) where he is exhibiting his series of works entitled Street Dogs.

 

Okwui Enwezor is the Artistic Director for BIACS 2 - The Unhomely: Phantom Scenes in Global Society.  Other South Africans on the show included John Fleetwood & John Makua, Gillian Slovo and Jo Ractliffe.

 

The exhibition opened on 26 October 2006 and runs through 8 January 2007.


Resident Exhibition: Self/Destruct

 

Arash Hanaei (Iran) and Zach Taljaard’s (South Africa) residency exhibition opened at the Bag Factory on the 13 September.  The exhibition, entitled Self/destruct, examined issues of self, representation and male identity at a time where violence and terrorism are constantly in the media.  Hanaei showed his photographic series Autopsy which captures scenes of burned doll parts in a post carnage display as well as two new video works.  Taljaard’s self-portrait sculptural busts represented the artist in various guises of imposed masculinity- soldiers both ancient Greek and Boer war.  He also created a video work, The Game, which featured footage from an arcade fighter pilot game projected on to one of his busts.  The show closed 20 September.

 

Diana and Dinkies at the Red Line

 

Diana Hyslop and Dinkies Sithole’s group show of recent works, Session 1, opened at the Red Line Gallery in Kensington on 15 October 2006.  The work exhibited was quite diverse, the two artists working in very different styles.  However, the underlying theme of journey and quest brought the paintings together.  The Red Line is a small independent gallery which has recently been opened in an old house on Roberts Avenue on the border of Kensington and Troyeville.   

 

The gallery is the brainchild of film makers Ethel Williams-Abrahamse and Guy Oliver and has Wayne Barker as its Creative Director.

To contact the gallery please email GemBioscope@iafrica.com

 

New Residents

This month, we welcome two new residency artists.  Claire Wolf-Krantz who is a painter and critic and who works with a combination of painting and digital photography hails from Chicago, USA.  Anna Ruth lives currently in Finland but has worked and lived in several European centers including France.

 

 

 

 

 


Opportunities


X-CAPE Extension

 

Due to the change of date of TRANS CAPE, registration for the fringe exhibition, X-CAPE, has been extended until 20 December 2006.

 

Please see the website for more details http://capeafrica.org/xcape.html

 

The ArtHeat ProjectSpace

 

The ArtHeat ProjectSpace (http://www.artheatprojectspace.blogspot.com) is a blog where artists are given residency for a period of time, to produce work on-line, or whatever they will. The ProjectSpace is free, unedited, open to all and will receive publicity on ArtHeat and other media. For certain projects a small fund will be made available (depending on need, and how clever your proposal is). Proposals can be emailed to artheat@gmail.com.


Kazoo: Call For Proposals

 

Kazoo asks all interested artists to submit a proposal for a performance that will form part of a two day exhibition in and around the city of Johannesburg on the 2 and 3 of December 2006.  The call is for proposals that are playful in nature, engaging, breaks the typical ideas of performance and deals with issues of space.  (Although shock can be effective for this event we are veering away from this approach.)

 

The opening ceremony will take place on the 2nd of December at 6pm at Premises Gallery in Braamfontein.  At the opening there will be maps available for performances/ actions or interventions that will be held in Johannesburg in Public Spaces on Sunday, December 3rd.  (Please note: that the closer to town the better.)

 

Please submit a one page proposal with your performance idea for the night of the event, or the following Sunday or both.  Make sure to let us know what technical equipment you need, and your preference time.  We need to know the specific location.  Please also submit no more than ten images of previous work and your resume.

 

You may email the submission to kazoo.liveart@gmail.com or leave it at the front office of the Wits School of Arts, attention David Andrews and Kazoo.  We need this as soon as possible, at the latest 3rd of November.

 

IDENSITAT

 

IDENSITAT is a biannual programme based in three areas of Barcelona, enabling creative projects developed within public space and related to the region. It aims to stimulate creative practices which experiment with social engagement and participation, connected to already existing practices and dynamics in the region.

Both production and documentation-based projects are called for from international and local artists.

Further information: http://www.idensitat.org/a_index.htm
Deadline: 17th November

 

Critical Voices 2007:

An Arts Writing And Editing Workshop By Sean O’Toole

 

Hosted by the KZNSA Gallery and run as part of the KZNSA Young Artists Project, an ongoing initiative to support new and experimental work. This programme is funded by the Royal Netherlands Embassy.

 

The KZNSA Gallery has great pleasure in inviting expressions of interest to participate in a comprehensive critical writing workshop in February 2007 with one of South Africa’s prominent voices in the visual arts, Sean O’Toole. In keeping with the aims of growing contemporary art discourse, last year the Young Artists' Project expanded its initiatives to include a critical writing workshop, the writing workshop is hosted annually, and generously funded by the Royal Netherlands Embassy for the next two years. It is intended that this workshop will systematically and professionally empower new voices with the skills for analytical and critical reflection on contemporary art, through writing.

 

The workshop will be hosted during a total of eight sessions (one session per day). Interested individuals are invited to send in an example of their writing (at least 500 words) as well as a brief CV. The workshop is free of charge to participants, and successful candidates will be asked to sign a form of commitment to complete the course.

 

WHO CAN PARTICIPATE:

 

Any person with an undergraduate qualification, preferably with a major in visual arts, journalism, or a general arts degree/diploma, and with a proven interest in contemporary arts practice

Artists, writers, curators, arts administrators and/or those active in the visual arts world

Participants must be available for the duration of the workshop

 

Participants must be resident in KwaZulu Natal and if from other parts of the province and will be responsible for their own accommodation and transport

 

FORMAT OF EXPRESSION OF INTEREST:

 

All submissions to be in hardcopy as well as on disk/CD

A letter of motivation for participation and stated availability for duration of the course

A 500-word example of recent writing on a subject of your choice

A short CV

 

DEADLINE

 

Documentation must be delivered or emailed to reach the KZNSA Gallery no later than 20 January 2007.

 

RULES & REGULATIONS

 

A minimum of ten and a maximum of twelve individuals can participate in the workshop

Expressions of interest will be reviewed by Sean O’Toole and Nathi Gumede (as KZNSA representative)

Successful candidates will be notified in writing and will be asked to demonstrate their availability for the duration of the workshop.

 

For more information, contact Nathi Gumede (Gallery Curator)
Tel: (031) 202 3686
Fax: (031) 201 8051
Email:
curator@kznsagallery.co.za
www.kznsagallery.co.za

 

 

 

 


Our Regional Partners’ Website Addresses

Thapong – Botswana
www.artshost.org/thapong

Kuona Trust - Kenya
www.kuonatrust.org

Tulipamwe Workshop - Namibia
www.artshost.org/tulipamwe

Aftershave Workshop - Nigeria
www.aftershaveworkshop.org

Bag Factory - South Africa (JHB)
www.bagfactoryart.org.za

Greatmore Studios -South Africa (CT)
www.greatmoreart.org

Rafiki Art Trust - Tanzania
www.artshost.org/rafiki

Ngoma Workshop- Uganda
www.artshost.org/ngoma

Insaka Workshop - Zambia
www.artshost.org/insaka

Rockston Studios - Zambia
www.rockstonart.org

Surprise Art Centre - Zimbabwe
www.surpriseartcentre.org

Batapata Workshop - Zimbabwe
www.artshost.org/batapata

Wasla Workshop - Egypt
www.artshost.org/wasla

pArtage Workshop - Mauritius
www.artshost.org/partage

Sansa Workshop - Ghana
www.artshost.org/sansa

Funding provided by:

The Ford Foundation, The Royal Netherlands Embassy, The W.K. Kellogg Foundation, The National Lottery Development Trust Fund, The National Arts Council, The Arts and Culture Trust of the President and Robert Loder.