Bag Factory Artists'' Studios

 

Tel/Fax +27 11 834 9181
Email: info@bagfactoryart.org.za

                       

 

 

 

About Art 
   
Video Art Workshop with Johan Thom
Marvellous  World Exhibition and Bronze Casting Workshop
Joburg Art  Bin
Rites of  fealty/ Rites of passage performance workshop

 

Artists’  News
   
Residency  Exhibition
New Residents
Johan Thom  at the KZNSA
David  Koloane celebratory at 70
Andrew  Tshabangu at Graskop Hotel
Artists’  News in Short

 

 

 

Network News
   
News from the Hong Kong International Artists' Workshop 2008: 4 x 4
Abro  International Artist Workshop Ethiopia
Upcoming  Tulipamwe Workshop

Greatmore Studios' Tenth Anniversary

 


Opportunities

   
Künstlerhäuser  Worpswede Invites Applications For 6 Month Residencies
Call for  Papers:  ULI: Journal of Visual Arts and Culture Nigeria
Call for  applications: Sylt Quelle Cultural Award for Southern Africa   
Call for  submissions: BalmoralCastle Scholarships 2009
Call for  applications: Sylt Quelle Cultural Award for Southern Africa   
Call for  Applications: Chevening scholarships – Funding for UK postgraduate studies
Call for  Applications: First International Master of Media.Art.Histories
Mosaic Mural  Art Competition
Vuleka Art  Competition invites entries

 

 

 

July 2008

‘Recycling South African Contemporary Art’, ‘Democratise your art collection’ ‘Deprivatising Contemporary Art’ are tag lines of the Joburg Art Bin, a project which launched at the Bag Factory last Friday night in association with the Bag Factory’s About Art programme.

It is no surprise that these tag lines, included in the initial advertisement for the project, stirred some reaction and at the Bag Factory we received more email responses questioning or objecting than we have previously received for an About Art project.  We also received a higher than usual attendance on the rather chilly evening of the panel discussion than we usually would on a Friday night.

These deliberately cheeky and seemingly shallow slogans achieved what they were designed to provoke – a response.  Though, curiously, some who objected to the premise of the project declined to attend the panel discussion on the grounds that they did not agree with the project.  Surely this would be the very reason to attend if one strongly disagrees with a contentious project?  How often, as a member of the public, is one asked to voice an opinion and if one has a strong opinion, why would one decline the opportunity?

Indeed, many of the attending panellists had strong objections to the project and despite the frivolous nature of the satirical take on Marxist rhetoric included in the e-invite, the conversation delved into some serious matters regarding copy-write and ownership when it come to the preservation, handling and exchange of art objects.

But let us back track a bit, What is Joburg Art Bin and what are they proposing?

Joburg Art Bin is a project facilitated by a loose collective of three artists, Paul Cooper, Brendan Grey and Landi Raubenheimer who for the purposes of this project are calling themselves Empty Office.

To quote the collective directly:

‘Empty Office contends that the intention of much contemporary art to reflect and affect social change is nullified through its commoditisation by the privileged classes and should therefore be democratized by recuperating it and inserting it into the public sphere.’

Or to simplify, Empty Office would like to invite members of the art collecting public to drop off some of their art in specially designed bins at the Bag Factory.  This donated art will then be reworked, recycled and reinvented into proposals for a public art work.  A presentation of these proposals will take place in the Bag Factory Gallery space.  Proposals and not artworks, so once again the public is given the space to comment.

This is not the brazen destruction of an artwork.  It is not the reinvention of history to suit a current mode of thinking nor is it a white-washing, pulling down of monuments and changing of street names designed to remove hurt but equally any reminder of what horror lurks when we forget our past mistakes.  This is not a book burning.

One has to carefully consider the kinds of objects that will be donated to the Art Bin: that which is no longer of value to the owner because, as Empty Office put it, it has reached its sell by date or because it has been damaged in some way.  A reinterpretation of such work potentially adds value rather than criticism.  It is creative rather than destructive and possibly adds poetic reference to the initial intention of the original artist.  It gives second life.  What will transpire remains to be seen.

Ironically the acronym for Joburg Art Bin is JAB, and this is what the project seems to have begun to achieve.  A jab not to offend, but a sharp awakening to consider what one’s opinions and views are on the value of the art object.  Regardless of one’s opinions on the project as a whole, the questions raised by it were a catalyst at the panel evening for a discussion around what we treasure in an art object.  Is it always the initial statement or vision of the artists?  Their views or their vision?  Or do we begin to focus more on the commercial value of an object – what it sells for or how old it is?  What do we oppose more, the burning of a Ferrari or a pile of old school books?

There is no correct answer here, but there is plenty of space to put forward an opinion.

Empty Office will begin posting their progress and thoughts on the Bag Factory blog.  Please feel invited to comment.

Rat Western

Newsletter Editor

rat@bagfactoryart.org.za

 

 

 

 

 

About Art

Video Art Workshop with Johan Thom

The Bag Factory About Art programme has just concluded the second series of video art workshop with performance and video artist Johan Thom.  The workshop series was first run at the end of last year and since then we have received repeated requests as to when the programme would run again. The limited places for this round of the programme were quickly snapped up.

Under the leadership of Johan Thom  and co-presented by Garreth Fradgley this series of workshops focused on exploring contemporary practices in Video Art and teaching the practical and conceptual skills needed to produce professional video art works.  The primary aim of the workshop was to introduce into the vocabulary of young South African artists theoretical and practical knowledge of: Video Art as a contemporary art form locally and abroad; cinematic language, tools and terminology; practical skills training and conceptual skills training by evaluating video art, the relationship between concept and form, and image and sound.

The group met for three weeks on Tuesday and Thursday evenings as well as intensive all day sessions on the weekends where they engaged in a series of lectures, group/ individual exercises and discussions aimed at evaluating the relationship between Video Art, its practices and theories, and its capacity for inspiring new directions in contemporary South African artistic expression.<!--[if !supportLineBreakNewLine]-->
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At the conclusion of the workshop participants received a functioning DVD as well as a master DV tape containing the final art work they produced.

Marvellous World Exhibition and Bronze Casting Workshop

On the 28 June sculptural collective Marvellous World exhibited a selection of their tongue in cheek art works at the Bag Factory.

The collective, which consists of Paul Cooper, Guy Du Toit, Richard Forbes and Sarel Petrus, takes a self reflexive reinterpretation of the found object as a starting point for a dialogue hinged on the significance of a marvellous world of luminous contradiction and healthy conflict. Each sculptor negotiates the found object as a matter of material, differently and although they are a collective there are four very distinct yet harmonious bodies of work.

The Marvellous World exhibition runs as both a part of the Bag Factory exhibition calendar as well as the About Art programme as the collective will host two educational events in conjunction with the exhibition.  These are a bronze casting workshop over two weekends (5 - 6 July 2008 and 12 - 13 July 2008) and an Interactive Panel Discussion on Friday 11 July 2008 at 5:30 for 6pm.

The public are invited to participate in these workshops. Places are limited in both workshops and booking is essential. Bookings can be made by contacting the Bag Factory.

Joburg Art Bin

Upcoming in the busy About Art schedule is a new project entitled Johannesburg Art Bin.  Facilitated by Empty Office (Landi Raubenheimer, Paul Cooper and Brendon Grey).

The tag line for this project is ‘Deprivatising contemporary art’ and the art collecting and buying public is invited to deposit art objects from their private collection into custom made bins at the Bag Factory between the 18th of July and the 2nd of August 2008.

A team of visual artists will then recycle the material dumped in the bins in order to generate a series of new artworks designed for the public realm.

The project launched at the Bag Factory on Friday the 4th of July where a number of key players in the visual arts industry were invited to speak on the Joburg Art Bin concept.  In attendance as panellists were Joseph Gaylard (JPP), Antoinette Murdoch (Johannesburg Art Bank), Gordon Froud (gordart gallery), Michael Smith (Managing Editor artthrob.co.za) and Koulla Xinisteris (Bag Factory Director and curator of the SABC collection).

Please join us for Art Dumping from the 18th of July.  The exhibition of remodelled works will be exhibited on the 8th of August at the Bag Factory.

Rites of fealty/ Rites of passage performance workshop

Also in the near future for the About Art programme is Rites of fealty/ Rites of passage, a 10 day performance art workshop run by Johan Thom.

The Bag Factory committee selected 20 practicing South African artists working within the realm of performance who were invited to participate of which the first 10 who applied will be participating.

The workshop will run for 10 days from 15th to 26th July. This includes a 10 day collaborative process, a final exhibition held in The Bag Factory Gallery showcasing results of the workshop with small production budget for individual works, as well as a limited addition print publication of the works produced.

Please look out in the next month for the invitation to the final exhibition.

 

 

 

 

Artists’ News

Residency Exhibition

This quarter’s residency artists Meraneh Atashi (Iran) and Leon Radegon (Seycelles) concluded their three months stay in Johannesburg with an exhibition of digital prints and mixed media works which was exhibited at the Bag Factory on the 18th of June, coincidently Seychelles National Day.

The artists’ work, though disparate in concept, complimented each other well because of similar colour choices and a shared gestural and layered way of working.  Radegon’s mixed media works are constructed from a variety of found materials whilst Atashi creates painting on windows with curious viewpoints.  She subsequently photographs these paintings layered upon the view from the window.

Exhibition closed: 25 June 2008


New Residents

This month the Bag Factory welcomes three new residents for the third quarter of the year.  Ndikhumbule Ngqinambi is a painter and is also a permanent resident artist at our sister organisation Greatmore Studios.  Examples of Ngqinambi’s work can be viewed here. http://www.greatmoreart.org/resident_artists_cvs/ndikhumbule.htm


Sita Moyo is a young painter and animator who has exhibited her animation at the Tehran International Animation Festival and at Polvo in Chicago.   Her work can be viewed: http://video.google.com/videoplay?docid=6126830008087608576&hl=en


And finally from Holland we welcome Hans Wilschut a photographer who focuses on the urban landscape.  To view work by Hans Wilschut please go here. http://hanswilschut.com/


Johan Thom at the KZNSA


At the end of May and beginning of June, Bag Factory artist Johan Thom exhibited at the KZNSA Gallery in Durban.   Exhibiting alongside although separate from two other exhibits by Stephen Hobbs and Dineo Bopape Thom presented a screening of his work Bind/Ontbind (series 1). 


This video installation, first presented at the 2003 Venice Biennale - as part of the exhibition 'Recycling the Future: Viverevenezia2' - is an extension of a sculptural process where Thom binds or wraps objects with rope, tape, plastic, etc. The artist writes that, 'For me, the work is a metaphor for the constant processes of decay and of regeneration, of affirmation and negation - for example, the way various identities and ideologies bind themselves to us. They may disfigure us, but whenever we attempt to replace them with new systems of thought we are in fact simply disfiguring ourselves anew: this is the void - our inability to exist without disfiguring ourselves and others through our limiting gaze.'


The exhibition closed on June 8.  A review of all three shows by Carol Brown can be read here. http://www.artthrob.co.za/08jun/reviews/kznsa.html

David Koloane celebratory at 70

David Koloane, Bag Factory artist and founder member, celebrated his 70th birthday in the month of June.  To coincide with his birthday Koloane exhibited a new series of paintings at the Goodman Gallery in Johannesburg.  The exhibition, entitled Revival, presented works in acrylic that depict urban life, the busy city street and macabre dogs all painted at twilight or night.


Revival follows soon after an exhibition of prints at David Krut Projects which took place in April and May. DKW: New Editions Show 2008.  Also on view at DKW: New Editions were the latest prints by Deborah Bell, Diane Victor and Colbert Mashile. The prints were created at the David Krut Print Workshop (DKW), where the artists collaborated with Jillian Ross the Workshop Manager and printmakers Mlungisi Khongisa and Niall Bingham
.

Prints can be viewed http://www.davidkrutpublishing.com/artbase/abf-artist.php?artist=50


Andrew Tshabangu at Graskop Hotel

In mid June former Bag Factory artist Andrew Tshabangu exhibited at Graskop Hotel in Graskop.  The hotel and art gallery is owned by well known collector and art patron Harrie Siertsema who holds regular exhibitions of contemporary South African artists in this innovative space.

Tshabangu exhibited his body of work City in Transition which was on exhibit at Gallery Momo last year.

Also on exhibition at Graskop were Diane Victor’s Disasters of Peace and Jacki McInnes’s Alienation Adaptation.

More about Graskop Hotel can be found here.http://www.graskophotel.co.za/


Artists’ News in Short

Pat Mautloa is currently on residency for two months at Nirox in the Cradle of Human Kind, west of Johannesburg.  He will exhibit the results of his residency at Nirox in mid August: http://www.niroxarts.com

Following the success of the PolokwaneMuseum exhibition Double 007 Diana Hyslop, Wayne Barker, Pat Mautloa and Sam Nhlengetwa amongst others including William Kentridge and Marlane Dumas are exhibiting again this year at the museum.  Exhibition opens of the 1st August.


‘Abstract Art South Africa’ presents work by Jill Trappler, Mbongeni Buthelezi, Malcolm Jiyani, Bill Ainslie, Howard Minnie, Joe Wolpe and Nicolas Hales on show at the Seippel Gallery, Johannesburg until the end of August. http://www.seippel-gallery.com/johannesburg/index.php

Pat Mautloa will exhibit a solo exhibition at the Goodman Gallery Johannesburg opening on the 16th of August.

 

 

 

 

Network News

News from the Hong Kong International Artists' Workshop 2008: 4 x 4


The Hong Kong International Artists' Workshop: 4 x 4 took place from March 17 - May 23 2008, as two process-based workshops, each lasting four weeks. Eight artists from Hong Kong were joined by eight international artists travelling to the workshop from places such as Germany, India, America, Australia, and the UK.

Based in Sham Shui Po, some artists used the immediate area as inspiration for their work.
Peruvian artist Sandra Nakamura traces the migration footprints, literally, with stamp prints on the ground. At the edges between the old and new housings in the area, architect Paul Chu set up a mobile buffer space for residents from both to mingle. Eve Armstrong from New Zealand transferred the plants left behind by residents, and offered them for  "adoption" by the public.


Another unique aspect to the workshop was the relationship the artists gained with students from the Kowloon Technical School where a mentorship programme was set up, encouraging the students to assist the artists in their work and guide them around the neighbourhood.

Kurt Chan asked the students from KowloonTechnicalSchool to write their blessings on oranges and gives away to local residents. Through this give-and-take action, both projects attempt to address, and in a way, re-establish, the potential breakdown of social networks and Hong Kong's Adrian Wong staged a shadow play in collaboration with the residents and students, expressing their hope of the area.

During each of the two workshops the participating artists presented their work to the public through talks hosted at Osage Gallery. The talks gave members of the public the opportunity to discuss with the artists their experiences whilst on the workshop as well as question their individual practice.

The workshop continued in the spirit of Re:Wanchai, AiR's pilot programme which took place in 2005.

For more information: see the website

Abro International Artist Workshop Ethiopia

The first Abro International Artist Workshop was held at Asni Gallery in Addis Ababa from 14th to 27th April 2008 and was a great success, bringing together a range of practicing visual artists from across Africa. The workshop was coordinated by Konjit Seyoum and facilitated by artist Mulugetta Kassa and others. Maggie Otieno from Kenya, who attended the workshop shared her thoughts…

’As a participating artist, the workshop was a means to creating a podium for artistic interaction, experimentation and dialogue in a bid to enhance artistic experiences amongst the participating artists.

Participating artists from Addis were a mixture of fresh art graduates from the Addis Ababaschool of Fine Art as well as experienced, well travelled artists. The young artists displayed the real attitude needed in a workshop environment. They were able to use materials found within, around and outside of their working space to create work that normally will not be done in their own studio spaces. From my observation painters at the workshop not only painted and but also ventured into the experimentation pool.


The open day attracted a large crowd of visitors who came to give their support to Abro International workshop. The guest of honour, State Minister of Culture and Tourism H.E. Ato Mohamouda Ahmed Gaas, opened the workshop open day event with words of encouragement on the government’s desire to support the arts and artistic initiatives by art organisation's in a bid to make art more visible to the wider public. Visitors were treated to a range of artistic works including a game of volley ball dubbed 'No Visa', suggesting a ban on visa to Africans crossing borders to other countries. This piece was inspired by Zenzele Chulu from Zambia who amongst other artists almost missed the opportunity to participate in the workshop because of visa complications.

Images from the workshop can be seen on African Colours
website 

Upcoming Tulipamwe Workshop

The Bag Factory’s sister organisation in Namibia, Tulipamwe, will be hosting a workshop in a remote Namibian rural village.  The workshop was open for international artists to apply and will take place in mid August from the 16th – the 30th.

Greatmore Studios' Tenth Anniversary


2008 marks Greatmore Studios'  tenth anniversary.  The four original committee members started working together in the mid eighties, meeting to make art with artists from across the region at the short two week creative meetings that slowly picked up momentum and became commonly known as Thupelo workshops. 

In 1996 the two buildings in Woodstock were purchased by Isky Gordon and Robert Loder and it is Greatmore Street that lent the studios its name. This initiative followed on from the successful residency and exchange programs initiated by the Bag Factory in Johannesburg.


Projects at Greatmore Studios include residencies, visiting artists’ programmes, outreach and open studio interaction.


During the past ten years, over 4000 people have been impacted by these programmes in the community.  The administrative centre has provided networking and fund raising support for artists and their various projects.


At this point, Greatmore Studios urgently needs more physical space for artists to work. They have started a building fund which has to date provided funding for a small extension to the existing building which will be used as an events’ space .This fund has also been allocated to assist with much needed renovations to the exsisting buildings.

To celebrate and reflect on the extraordinary impact that Greatmore Studios and Thupelo  Cape Town have had in the community, in Southern Africa and abroad the organisation have proposed to host a  raffle draw.  

For the raffle to be realised, Greatmore would like 100 artists to donate a work on paper, less than 100 x 70 cm in size, in any medium; print, painting, photography  or  digital .  The tickets will be sold for R1600 or £100 pounds each. It is our hope that each ticket holder will receive a work of art. Several artists have already committed to donating artworks, including some internationally known SA artists.

Greatmore studios would like to invite you to join them in their celebration, and would like to ask you to consider donating one piece of art work for this important cause.

The time frames are as follows:

31July  2008 - deadline for delivery/collection of art works, details to follow

August  2008 -  all work will be documented and made available on the website and in a brochure.

September  2008  - ticket sales begin.

14   November  2008 - artists will be invited to join us  at Greatmore Studios for the draw and a day long celebration.

Please see Greatmore Studios’s website, www.greatmoreart.org  to subscribe to their newsletter and for detailed updates about their ongoing projects.

If you have any queries please contact Sisanda or  Mishkaah on 021 4479 699 .  

 

 

 

Opportunities

Künstlerhäuser Worpswede Invites Applications For 6 Month Residencies

The Künstlerhäuser Worpswede is one of the largest residencies in the Federal Republic of Germany.  Among former grant holders are many well-known international artists such as Emmett Williams, Koeken Ergun, Yuri Leiderman, Dan Perjovschi, Katharina Sieverding or Egill Saebjoernsson.

Besides the regular presentation of works produced in the studios both within and outside Worpswede, there are also, on a discursive level, artists' discussions, workshops and symposia on artists' support, which take place at the Barkenhoff.

The grant body is also supported by the state of Lower Saxony through the award of a monthly grant of 1.400 Euro.


All ages and nationalities are eligible to apply.


Selection is made by a specialised jury in the fine arts and sound art respectively.

Applications are now open for the 2009 residencies in the fields of fine arts and sound art for a duration of up to 6 months.

Deadline: 10th July 2008 (date of postmark).

Application forms and further information can be found on the website:

www.kuenstlerhaeuser-worpswede.de/en/application/index.html


Call for Papers:  ULI: Journal of Visual Arts and Culture Nigeria

ULI: Journal of Visual Arts and Culture is a referred academic bi-annual publication of the Department of Fine and Applied Arts, University of Nigeria, Nsukka (visit nsukkaartschool.info). It is to be published in June and December each year electronically and, occasionally, in hard copies.

The publication aims to critique and document contemporary developments in the visual arts and culture of Nigeria, Africa and the world. It shall open up and sustain debate on issues in Nigerian and international art as a way of contributing to art scholarship and professionalism in the so-called Third World.

Well-researched papers are invited for the first issue to be published in December 2008.

Historical, critical, art educational, and other scholarly articles on modern and postmodern tendencies in the art and visual culture of Africa are welcome, as well as reviews, interviews and portfolios.

Articles should be typed and double-spaced on A4 paper and should not exceed 20 pages. Reference should conform to the Harvard style. Photographs and illustrations should be clear enough for print reproduction; poor quality photographs will not be accepted.
 
Submissions can be sent in hard copy by post or in soft copy via e-mail. Although materials are accepted all year round, the deadline for submission for the maiden issue is 31st November, 2008.

All correspondences to:
Dr. Ozioma Onuzulike
Department of Fine and Applied Arts,
University of Nigeria,
Nsukka.
E-mail: oozioma@nsukkaartschool.info
Uli-journal@nsukkaartschool.info

Call for submissions: BalmoralCastle Scholarships 2009 <!--[if !supportLineBreakNewLine]-->
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Intention and purpose
Artists’ residence Künstlerhaus Schloß Balmoral in Bad Ems, Foundation for Culture of Rhineland-Palatinate, which was founded in 1995, is a place of reflection, artistic production, discussion and meeting. It supports visual artists from all over the world by awarding artists-in-residence scholarships.

The Künstlerhaus is publicly presented through lectures, concerts and exhibitions. Works by the scholarship holders are regularly shown in a relaxed atmosphere.


The Künstlerhaus perceives itself as an intersection between the different kinds of art media and theoretical reflection but also as an intermediary between current and former scholarship holders.

Requirements

- Balmoral awards six artists-in-residence scholarships to international fine artists who have completed their degree in art and a subsequent three-year period of artistic activity.

- Applicants still studying during the application period cannot be considered.


- In addition, Balmoral awards one project scholarship offering the visual artist an opportunity to develop a project at a different place. The purpose of this scholarship is to support a project of particular content to be realised within a specific time period and to recognise the artist’s previous artistic work. The project will be presented in Balmoral afterwards.

Artists from the disciplines of painting, sculpture, installation, drawing, graphic arts, design, photography, video as well as from new media art and landscape art can apply for a Balmoral scholarship.

In order to promote dialogue between the social sciences and art, for the first time one theory scholarship for a junior academic in the humanities (preferably art theory) is offered.


In accordance and in close cooperation with the Künstlerhaus and the attendant scholarship holders, s/he should actively participate in creating, developing and organising the activities in the artists’ residence. The theory scholarship will be awarded to applicants not older than 35 years or to those who graduated not longer than 5 years ago. For holders of a theory scholarship a full command of the German language as well as a sound knowledge of English or French is essential.


Duration of stay


Balmoral scholarships are awarded for the period of six months. For Artists-in-Residence scholarships at Künstlerhaus Schloß Balmoral, continuous residence is obligatory. The yearly term of residence begins in April.


Benefits
The scholarship includes the following benefits:
- A grant of 1,200 Euros per month.

-A furnished living/bedroom with shower/WC and a studio including electricity, water and heating. - Each apartment is equipped with an individual telephone and internet access.

- The lounge, the dining room and the kitchen are for joint use.


Holders of scholarships can make use of the in-house facilities for free, especially the
- wood and metal workshop
- photo laboratory for b/w prints of 60 x 70 cm
- video laboratory Windows XP Pro, Adobe Premiere Pro (in German and English) + Avid Express (in English), DVD writer, video-edit recorder
- library and reading room with approx. 5,500 books, particularly on modern and contemporary art and the most important art magazines.


Due to the historical condition of the building, the apartments and studios in terms of their size and equipment are normally only suitable for one single person.

More information and application forms:

http://www.balmoral.de/english/balmoralscholarships/scholarshipsforvisualartists/index.html 


Deadline: 19th July 2008


Call for applications: Sylt Quelle Cultural Award for Southern Africa  


How do Southern African writers, artists, choreographers, musicians and theatre-makers see their art in the context of the society they live in? What are the fundamental issues of their countries, and what ideas do they have for solving them?


In 2008, the foundation kunst:raum sylt quelle, in cooperation with the Goethe-Institut Johannesburg is launching the “sylt quelle cultural award for Southern Africa”. This competition is open to artists of all disciplines from Angola, Botswana, Lesotho, Mozambique, Namibia, Zambia, Zimbabwe, South Africa and Swaziland.


Artists may apply with a project that will link culture and society, creating a context in which culture will have an impact on social structures and attitudes. The winner/winners will receive an award of 10,000 Euros, which must be used to finance the proposed project.

Selections will be made by an independent jury in a two-stage process.


The realized project/projects will be presented at the Goethe-Institut Johannesburg , the kunst:raum sylt quelle in Germany and other venues. The authors rights of the selected projects are not touched through this call of proposals.


Applications may be sent to the Goethe-Institut in Johannesburg and must include the following:
- a Curriculum Vitae and description of your career as an artist
- a detailed description of your project and a binding budget plan
- samples of your work

To simplify the selection process, we ask that all applications be by email or CD. Other forms of documentation will not be considered. Application material will not be returned. All decisions of the jury are final, reasons for rejections will not be disclosed.

Applications should be sent to:

Goethe-Institut Johannesburg
kunstpreis@johannesburg.goethe.org


Further information:
www.goethe.de/Johannesburg
www.kunstraum-syltquelle.de 


Deadline: 15th September 2008

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Call for Applications: Chevening scholarships – Funding for <!--[if !vml]--><!--[endif]-->UK postgraduate studies

Are you a future leader who is already experienced in your chosen profession and would like to further develop your career with a postgraduate course in the UK?

Then the Chevening Scholarship could be right for you.

About Chevening Scholarships


The Chevening Scholarship Programme is a prestigious awards scheme that funds international postgraduate students who want to study in the UK for one academic year. Funded by the UK’s Foreign and Commonwealth Office and administered by the British Council, the scheme operates in over 150 countries and annually provides funding for over 2 300 scholars.


Applications are only accepted at certain times of the year and these will be advertised here on this site and in the local newspapers.


Why should I choose a Chevening Scholarship?


This is a prestigious award that gives you the chance to experience a world-renowned educational system. In addition, it provides you with the opportunity to experience UK life and meet other Chevening scholars. Once you become a Chevening scholar, you will discover a lot of opportunities to develop your career and become a future leader in your field. Hear from the Chevening scholars themselves.

 

Who can apply?

You can apply for a Chevening scholarship if:

- You are a postgraduate student who can prove your academic success and who has already begun a career in your chosen field

 - You'll be expected to show you have at least two years working experience, with an excellent track record illustrating your achievements

Have an upper second class degree or higher and provide transcript of your academic record

You must be 25 years and older (there are upper age limits for specific countries so please ensure you check this during your applications process)

You must be a resident in your country when you apply and provide your birth certificate (with translation)


You must have good English language skills (most UK Higher Education institutions require a minimum IELTS of 6.5 for admission into postgraduate courses)


Applicants will normally be selected from those who wish to take courses in: economics, finance, banking, law, human rights, public administration, management, project planning, media, political science, international relations, diplomatic training and environmental studies although applicants for other courses may be considered. You are expected to show a commitment to return to your country, where you will contribute to the country's socio-economic development using the new skills and knowledge acquired during your stay in the UK.


Applications are only invited from South Africa.

Download the application form: http://www.britishcouncil.org/africa-chevening-application-form.doc

More info: http://www.britishcouncil.org/africa-chevening.htm


Deadline: 22nd September 2008 

Call for Applications: First International Master of Media.Art.Histories

The postgraduate programme MediaArtHistories at the Department for Image Science offers a two-year low residency course of study leading to an MA degree. It conveys the most important developments of contemporary art through a network of renowned international theorists, artists, curators and many others.

Artists and programmers give new insights into the latest and most controversial software, interface developments and their interdisciplinary and intercultural praxis. Keywords are: Strategies of Interaction and Interface Design, Social Software, Immersion and Emotion, and Artistic Invention. Using online databases and other modern aids, knowledge of computer animation, net art, interactive, telematic and genetic art as well as the most recent reflections on nano art, CAVE installations, augmented reality and wearables are introduced. Historical derivations that go far back into art and media history are tied in intriguing ways to digital art. Important approaches and methods from Image Science, Media Archaeology, and the History of Science and Technology will be discussed.

MediaArtHistories MA is based on the international praxis and expertise in Curation, Collecting, Preserving and Archiving and Researching in the Media Arts. What are the conditions necessary for a wider consideration of media art works and of new media in these collections of the international contemporary art scene? And in which way can new Databases and other scientific tools of structuring and visualising data provide new contexts and enhance our understanding of semantics?

For further Information:

www.donau-uni.ac.at/dis
www.donau-uni.ac.at/mediaarthistories
www.virtualart.at
www.mediaarthistory.org/pub/mediaarthistories.html
www.donau-uni.ac.at/telelectures

First International Master of MediaArtHistories
Department for Image Science
Danube University Krems
Dr. Karl Dorrek Strasse 30
A-3500 Krems
Tel: 0043 2732 893 2569
Fax: 0043 2732 893 4551
Email: sabine.weber@donau-uni.ac.at

Mosaic Mural Art Competition

In celebration of the completion of their new building in Hermanus, the Enlighten Education Trust (EET) has launched an exciting Mosaic Art Competition.

The winning design will be used to decorate the outside wall of the new centre. Prize monies total an unbelievable R61 000 and any person between the age of 18 and 30, living between Gansbaai and Cape Town may enter. Entry is free and groups are encouraged to enter. Workshops will be held to assist entrants with the practical aspects of designing a mosaic mural. EET works hard to improve the quality of education and life of communities in the Overstrand. Their new Centre will provide space for education and skills training to local communities. This is your opportunity as a young, non-professional artist to develop new skills and kick-start your career as a professional artist.

Entry forms are available at local community and art centres, secondary schools and libraries or online at www.enlightenmosaic.org.za You can also simply SMS the word 'mosaic' to 32545

Vuleka Art Competition invites entries

Calling all artists! With the prize money doubled and a ticket to Paris for the overall winner, enter now for the Vuleka Art Competition.

'Vuleka' is the isiXhosa word for 'open' and that means this prestigious national art competition is open to any artist (18 years and older) who has not had a solo exhibition in the past three years. Only original works of art completed during 2007/2008 may be entered. Vuleka is hosted annually by The Arts Association of Bellville (art.b).

It is aimed at encouraging creativity, innovation and adventurous art from all cultures. Selected artists from the competition will also participate in an exhibition in Bellville's art.b Gallery from September 3 - 24, 2008. Artists may enter unlimited artworks in one or more of the following categories:

- Paintings in oil, watercolour or acrylic
- Three-dimensional works, including ceramics
- Works in any other medium, including photography

Apart from a winner in each of these categories, the best artwork overall will be selected. For the overall winner a cheque of R10 000 and a return flight ticket to Paris are waiting. The visit to Paris offers the winner the opportunity to gain new inspiration in the arts and broaden his/her horizons. Prize money of R5 000 is at stake for each category winner.The artists may offer their works for sale.

For entry forms/particulars, contact Maxie Oosthuizen:

Tel: (021) 918 2301
Email: maxie.oosthuizen@capetown.gov.za

Closing date for entries: 3pm, Friday, August 22

Exhibition of selected works opens Wednesday September 3

 

 

 


Our Regional Partners’ Website Addresses

Thapong – Botswana
www.artshost.org/thapong

Kuona Trust - Kenya
www.artshost.org/kuonatrust

Tulipamwe Workshop - Namibia
www.artshost.org/tulipamwe

Aftershave Workshop - Nigeria
www.aftershaveworkshop.org

Bag Factory - South Africa (JHB)
www.bagfactoryart.org.za

Greatmore Studios -South Africa (CT)
www.greatmoreart.org

Rafiki Art Trust - Tanzania
www.artshost.org/rafiki

Ngoma Workshop- Uganda
www.artshost.org/ngoma

Insaka Workshop - Zambia
www.artshost.org/insaka

Rockston Studios - Zambia
www.rockstonart.org

Surprise Art Centre - Zimbabwe
www.surpriseartcentre.org

Batapata Workshop - Zimbabwe
www.artshost.org/batapata

Wasla Workshop - Egypt
www.artshost.org/wasla

pArtage Workshop - Mauritius
www.artshost.org/partage

Sansa Workshop - Ghana
www.artshost.org/sansa

Funding provided by:

The Ford Foundation, The Royal Netherlands Embassy, The W.K. Kellogg Foundation, The National Lottery Development Trust Fund, The National Arts Council, The Arts and Culture Trust of the President and Robert Loder.

   

 

 

 

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