Bag Factory Artists' Studios

 

Tel/Fax +27 11 834 9181
Email: info@bagfactoryart.org.za

Interview with Education Officer Bronwyn Lace

About Art: Highlights from the programme

-The Body Electric: Interactive video workshop

-Photomarathon

-In Memory of Craft

-Salting the City

-The Inter-provincial Project

-The Video Art Programme

 

 

 

 

In Other News:

 -New Residents at the Bag

-The Johannesburg Art Fair

- Johan Thom to perform at ‘.ZA, young art from South Africa’ in Siena

Opportunities

-ABRO ETHIOPIA, International Workshop, Addis Ababa, Ethiopia

- Braziers International Artists Workshop UK

- Triangle Workshop, Dumbo Brooklyn

-ArtThrob seeks new Gauteng Editor

-15th German International Exhibition of Graphic Art invites submissions

-Specs journal invites submissions

-Call for Entries Rijksakademie Research Residency 2009

 

 

The end of 2007 marked the first full year of events for the Bag Factory's education programme, About Art.  To mark this, our first newsletter of 2008 takes a look back on the year that was with a summing up of the various events and an interview with our education officer Bronwyn Lace.

Interview with Education Officer Bronwyn Lace

Rat Western: What attracted you to the position of Education Officer for the About Art programme and how did you hope to contribute and benefit from the programme?

 
Bronwyn Lace: I have always had education and teaching as a focus in my life but particularly in my work as an artist.  Art, because it makes use of allegory, metaphor and symbol, has the ability to convey information, even complicated messages, in a way that straight forward formula and text can not.   

 
Art is an experience, whether it is the actual process of making or the consumption of the finished product, and one invariably learns best from an experience.  

It is also a process of exchange. In a collective situation, the different participants can take and share parts of the information that is the topic at hand. And so, not only do the participants learn new skills but they provide their different experiences through which the facilitators of the individual programmes gain experience, which, in turn, they can share with the next group who participates in the programme.  

RW: What were some of the struggles and successes you experienced in the projects first year?  

BL: The project was initially set up because there was a need, in Johannesburg, for an education programme which catered specifically for practicing artists who had moved beyond art institutions or had never been part of one.  This need was about having a space in which to share ideas and learn new skills but being able to fit these sessions into shorter spaces of time - evening sessions and weekends.  

Institutional education offers less of the kind of experience sharing the Bag Factory envisioned, and usually involves a long term and expensive commitment.  But baring this in mind, how does one reach the target audience?  Having an extensive mailing list is no use if people are not reading their email.   

 Gathering momentum seemed, at first, a slow process but after the first few workshops the word seemed to spread and more and more people signed up for new workshops.  Those who joined the mailing list began to anticipate new workshops or a repeat of something they had missed.  Those without email left their phone numbers and specific requests for the kinds of workshops they would like to attend. 

 
One of the greatest successes, I think, for the project was the diversity of facilitators and workshops who brought a diversity of skills and teaching methods.  In one year we had everything from complex digital and video workshops to business skills and fundraising to projects which bordered the line with what is more commonly considered outreach.  We had practical skills workshops as well as more formal lectures and exhibitions. 

 
RW: What were, for you, some of the best workshops? 

 
BL: Photomarathon had two spin-offs which were a discussion session with Nadine Hutton, Stephen Hobbs and Andrew Tshabangu and a final exhibition of all the participants' photographs.

 
Jill Waterman's workshops on 'Business in Arts' had a powerful impact for the participants.  Much of her content would seem very simple but is very necessary as most artists have no training in the simple business matters of being an artist – everything from writing a C.V. to applying for funding is crucial for sustainability as an artist. 

 
Johan Thom's performance workshop RE:Action was also very successful.  All the artists involved were very generous in providing constructive criticism during the process and the final exhibition was well attended. 

 
Facilitating Democracy in Conversation with Betsi Pendry was rewarding.  This project blurred many boundaries between About Art and Outreach as well as art, education and politics.  The project involved a new group of youth from far flung reaches of Gauteng.  It brought in a new audience who became interested in the Bag Factory and what it has to offer. 

 
RW: How would you like to see About Art progress from here? 

 
BL: I would like to continue to see our audience and network grow.  I would like to see more artist run workshops and more group debate/discussion sessions.  In particular I would like to see more discussion around contemporary South African artistic practice and what it means to be a contemporary South African artist.  I think the challenges we face here are not exclusive to our context and that we may be able to spark conversation across our network by examining these issues with our broader local audience.

 
Rat Western
Newsletter Editor
rat@bagfactoryart.org.za

 

 

 

About Art: (more than) a year in review.

 The About Art programme was officially launched in August 2006.  Since that time, the following workshops have run with several of the more popular workshops having one or more repeats:  

- The Body Electric: Interactive video workshop with Nathaniel Stern (October 2006)

- SAarts Emerging: exhibition and workshops (October 2006)

- Digital Landscapes lecture: Pippa Stalker, Hanli Becker (November 2006)

- NAC fundraising workshop: Jill Waterman (November 2006)

- Democracy Begins in Conversation :Weekend workshops and exhibition – Betsi Pendry (September 2006 – December 2007)

- NAC fundraising workshop: Jill Waterman (January 2007)

- Photomarathon, exhibition and discussion: Babak Fakhenzadeh, Bronwyn Lace and Rat Western      (February 2007)

- Interactive video workshop: Tegan Bristow   (February 2007)

- BASA fundraising workshop : Jill Waterman (April 2007)

- Building Artists in Business workshop: Jill Waterman, Dolphin Mabale and Bronwyn Lace (May 2007)

- Re:Action performance workshop and exhibition: Johan Thom (July/August 2007)

- Interactive video workshop:  Tegan Bristow (August 2007)

- In memory of craft workshop, lecture series and exhibition: Nontsikelelo ‘Lolo’ Veleko,  Athi-Patra Ruga, Kudzinai Chiurai,  George Mahashe (August 2007)

- Salting the City: Andrew Tshabangu and Joy  Gregory (October 2007)

- The Video Art workshop and exhibition: Johan Thom (November 2007)

- The Inter-provincial project: Diana Hyslop (December 2007)

- Performance art workshop: Tracey Rose (December 2007)


 

 

 

About Art: Highlights from the programme
by Alex Dodd

The Body Electric: Interactive video workshop

The first public event and workshop in the About Art series took place in October 2006, presented by Nathaniel Stern (JHB / NYC), an internationally exhibited installation and video artist, Net-artist, printmaker and performance poet. Stern presented an introduction to the new media of interactive video. The public presentation, demo, and discussion surveyed the current interactive video landscape, and the pioneers who shaped the territory. He looked at documentation of artworks over the last 20 years by artists like David Rokeby, Camille Utterback, and Golan Levin – all artists working with interactive technologies and the body. He also presented what kinds of tools are available for artists, musicians and VJs who want to produce interactive installations or multimedia performances. Lastly, he explored how someone might achieve body-tracking, motion-tracking or proximity-sensing with basic tools, and take a quick look at ‘jitter’, an interactive video development tool for artists, as well as some projects that have been produced with it.

 
His lecture was followed by a weekend hands-on workshop exploring a variety of possibilities for tracking information from the physical world through microphones, cameras and other plug-and-play devices. By the end of the weekend, participants had produced simple works that using a wide variety of tools to capture and track information from their environment and people in it.
 

This workshop has been repeated twice in 2007 by Tegan Bristow.
 

Photomarathon

 
In February 2007, The Bag Factory hosted Johannesburg’s first ever Photomarathon. The event organised by PhotographySA.com consisted of three parts:  the marathon event, a panel discussion with the three competition judges on their professional practice as photographers in the city of Johannesburg and the final exhibition of work and announcement of winners.

 
The marathon, which lasted for 12 hours, drew 69 competitors. Each four hours, participants received four new themes at a new venue, moving throughout downtown Johannesburg. At the end of the event, participants had to submit one photograph for each theme. There were two categories, one for digital photography and one for analogue. The themes were: Alien, MotherCity, Technophobia, Bundu Bashing, Tokoloshe, Snake Eyes, Yours Is Bigger Than Mine, Shebeen Queen, Lost In Translation, Diamonds And Rust, Metropolis and Running With Scissors.

 
The two main winners received an iPod shuffle and an A2-size print of their winning image, while 11 other contestants were awarded an A3 enlargement and bags in varying sizes, sponsored by Crumpler.

 
In Memory of Craft
 

A series of workshops and lectures was co-ordinated by fast-moving emerging artist Athi-Patra Ruga, one of the newer Bag Factory studio artists, presented by a panel of young and dynamic creatives. The theme revolved around process and creation set against issues of identity and locationÊwithin the city of Johannesburg.ÊBelow is the itinerary as it unfolded.

 
Salting the City
 

Taking the city as its central theme, this workshop for photographers, run by London-based art photographer and educator Joy Gregory (a board member of our sister organisation, Gasworks, in London) in collaboration with local art photographer Andrew Tshabangu, gave participants the opportunity to print their photographs using Fox Talbot’s original 19th century printing process called ‘salt printing’.
 

The Inter-provincial Project
 

In an attempt to reach out to artists in the outlying rural districts of South Africa, the Bag Factory invited 12 developing or mid-career South African artists/crafters from rural areas all around South Africa to Johannesburg with the aim of giving participants the opportunity to experience the city’s art scene and make use of our facilities to be creative together and enhance their art making careers. The project included informal talks by art personalities, a tour of galleries and art-related facilities in Johannesburg, drawing workshops, presentations by each participant and some artists from Johannesburg and an open workshop for the artists to create and exchange ideas. It culminated in open studios and an informal exhibition in December 2007.
 

The Video Art Programme
 

Although it is arguably the medium du jour in capitals like New York and London, video art is still very much an emerging form in South Africa, practiced by only a few artists who have access to the required equipment (which is mostly beyond the financial reach of younger and poorer artists). The technical knowledge required for production is also beyond the ken of many emerging artists.
 

Under the tutorship of Johan Thom, and co-presented by Gareth Fradgley, this series of workshops focused on exploring contemporary practices in video art and teaching the practical and conceptual skills needed to produce professional video art works. The workshop was divided into a series of lectures, group and individual exercises and discussions aimed at evaluating video art, its practices and theories, and its capacity for inspiring new directions in contemporary South African artistic expression.

 

 

 

 

In Other News:  

New Residents at the Bag

This month at the Bag Factory, we welcome four new residency artists.  Shane Aslan Selzer is a sculptor who hails from the USA, Leticia Vieyra is a Mexican installation artist, Joel Mpah from Cameroon is a painter and Katrin Lock,UK is a photographer.

Their joint exhibition will be opened Wednesday 26 March 2008 at 5:30pm and will run for a week until 2 April 2008.

The Johannesburg Art Fair

In March, Johannesburg will see its first art fair.   The programme of events are already starting to roll with a launch party on the 17th of Jan.  The agenda includes an exhibition curated by Simon Njami who also curated Africa Remix.  

The nature of gallery driven, corporate funded art events has sparked criticism and praise in many other cities and Johannesburg is unlikely to be an exception.  

Whatever one’s feelings on the subject it is a great pleasure to have a large scale art event to spark debate and discussion.  More on the topic as the events unfold.  See the website for details and event line-up. http://www.joburgartfair.co.za/ 

Johan Thom to perform at ‘.ZA, young art from South Africa’ in Siena  

This exhibition, conceived by Lorenzo Fusi, is co-curated by five established South African artists: Marlene Dumas, Kendell Geers, Bernie Searle, Minnette Vàri and Sue Williamson. Each of these artists was asked to put forward the work of artists not older than thirty-five, still residing or mainly operating in South Africa. More than twenty works were thus gathered from as many artists, mostly unknown or very little known to the Italian and European public.

The show represents a sort of passing on of the torch, as well as a tribute on the part of the better known artists of already established international reputation towards their younger colleagues, who are often penalised by their geographical isolation in the farthermost point of the African continent.  

Johan Thom will present a new performance at the opening on the 2nd of Feb 2008. Other selected artists include: Bridget Baker, Ismail Farouk, Simon Gush, Nicholas Hlobo, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Sean Slemon, Pippa Stalker, Doreen Southwood, Nontsikelelo Lolo Veleko and James Webb. 

The bilingual (Italian-English) catalogue, published by Silvana Editoriale, will include essays by all the curators.

The exhibition closes on May 4. 

Palazzo delle Papesse

Via di Città, 126

53100  Siena

tel: +39 0577 22071

fax: +39 0577 42039

email: info@papesse.org 

web: www.papesse.org

 

 

 

 

 


Opportunities

ABRO ETHIOPIA, International Workshop, Addis Ababa, Ethiopia 16 - 29 April 2008

Embryo...

We were all once an embryo. What was the experience like? This workshop gives a chance to visual artists to feel and express the experience of finding oneself in a common womb. A WOMB-land where the early form of humankind (as an embryo) once developed, lived and scattered. Actually, an Embryo is an ongoing phenomenal process in the reproduction of various lives on the planet whether through natural or artificial means. Our workshop encourages artists from all corners of the world to exploit this special experience revisiting their fantasy on the particular question and the feeling of being on the soil of the original home of humankind, Ethiopia.

ABRO Ethiopia is seeking applications from interested artists willing to participate in a two-week workshop to take place at Asni Gallery located in the FerensayPublicPark in Addis Ababa from the 16th to the 29th of April 2008.

Applicants must: 

• Be professional artists  
• Be willing to work on the selected topic 
• Submit an application with 6 images of their work  
• Submit a C.V 
• Submit a letter of intent 
• Be able to provide their own airfare to and from Addis Ababa

ABRO Ethiopia will provide:

• Accommodation 
• Meals  
• Transport to and from the workshop venue for the duration of the workshop

* All applications must be sent to abroethiopia@gmail.com

* Closing date for application: 28 February 2008.

* Only selected artists will be contacted.

* Only selected artists will be contacted.

Braziers International Artists Workshop UK

Braziers International Artists Workshop UK
workshop dates: 3 – 19 August 2008

Closing date for applications: Monday 25 February 2008

Braziers International Artists Workshop

Established in 1995, Braziers International Artists Workshop (BIAW) is recognised as a unique and highly valued opportunity for artists wishing to examine their practice in critically engaged and global contexts.

Though Braziers provides a highly successful artistic model for creative enquiry, the success of the workshop has sometimes lead to artists creating extensions of their existing practice and the focus has often moved away from artistic risk-taking. Braziers 2008 seeks to redress these imbalances by inviting artists to work collaboratively,
to move away from their practice in terms of materials and style and to show a genuine willingness to place themselves and their practice into question; truly exploring areas of artistic and cultural uncertainty and seeking creative solutions through the collaboration, exchange and cultural/artistic dialogue that is the hallmark of the Workshop.

Braziers 2008 will ask for a high level of commitment from its members and it is recommended that potential applicants think carefully about their own expectations and willingness to take risks before they apply for this workshop experience. The structure of the workshop will be determined by the selection panel’s choice of applicants.

Further information is available on application or from the website.

braziers international artists workshop UK
www.braziersworkshop.org
max@braziersworkshop.org

Triangle Workshop, Dumbo Brooklyn

Triangle Workshop is an international two-week workshop held in Dumbo, Brooklyn. 30 inventive artists from all over the world are selected to make art in an open studio setting, a setting that stimulates vigorous exchange and dialogue among the participants. Artists are housed and fed and excellent studio space is provided. Throughout the two weeks, two panel discussions and critical dialogues are held and prominent critics and artists visit the studios and make themselves available to the participants for conversation or critiques.


The two week Triangle Workshop is an intense, high-energy experience with artists renewing critical perspectives and stimulating their practice in the company of their peers from the world over. The Workshop concludes with a festive open-studio celebration which draws hundreds of visitors each year.

A limited number of travel grants can be arranged for foreign participants. 2008 workshop dates have not been solidified but IT will take place in the month of September. Application deadline is February 15th, 2008. Contact Sarah Walko at the address and phone number below for any additional questions.

Triangle is currently located in DUMBO, Brooklyn.

Sarah Walko
Executive Director
Triangle Arts Association

20 Jay Street, Suite 318
Brooklyn, NY11201
718 858 1260
www.triangleworkshop.org

ArtThrob seeks new Gauteng Editor

ArtThrob is looking for a new Gauteng Editor. The ideal applicant will have considerable art writing skills, a passion for the Gauteng scene and an ability to work to deadlines. In addition, the necessary people skills for liaising with gallery staff, curators and artists, as well as the initiative to follow compelling stories and themes. Like all ArtThrob regional editors, the Johannesburg Editor will also identify strong writers in her/his region, and periodically commission such writers to contribute to ArtThrob's monthly update.

The position is a part-time one, but nonetheless requires a consistent involvement in the Johannesburg scene. Remuneration will be discussed in detail with short-listed applicants.

If you are interested, send a CV along with at least two samples of your writing to:

editor@artthrob.co.za, copied to mng-editor@artthrob.co.za

15th German International Exhibition of Graphic Art invites submissions

2008 will mark the 15th German International Exhibition of Graphic Art, which is now held triennially. It aims to support contemporary graphic arts. The exhibition is organised by the Kunstverein zu Frechen e.V., in cooperation with the city of Frechen. Three prizes will be awarded in the amounts of E2 500, E1 500 and E1 000.

Conditions of Entry
In order to support talented young artists, the International Exhibition of Graphic Art has introduced an age limit, inviting professional artists born since 1968 to submit their work. Entries must be executed in one of the graphic arts. New graphic practices (laser printing, etc.) are as welcome as traditional printmaking techniques (woodcut, linocut, screen printing, etching, etc.). The work must demonstrate a convincing use of the medium chosen as an expressively powerful means to convey content and formal aspects, and not purely as a reproduction technique. Three-dimensional works and monoprints may be submitted as well, as long as they belong to the field of graphic art. The measures of each work (a+b+c) may not be more than 250 cm. The decisive factor is the innovative, artistic quality of the works.

Pre-selection
In the pre-selection round, an internal jury will choose the artists who will be invited to participate in the final round, which is judged by the admission jury. Entries to the pre-selection round should be submitted either as colour photos (at least 13 x 18cm) or as computer prints on A4 paper (21 x 29.7 cm). Up to four works may be submitted, and each should be clearly marked with the entrant's name, and with the work's title, year, technique, and dimensions. The completed entry form must accompany the entries. Closing date for entries is January 31

For more information:

Kunstverein zu Frechen e.V.
Kolpingplatz 1
D-50226 Frechen
Tel: 02234-16967
Fax: 02234-200775
Email:info@kunstverein-frechen.de
www.kunstverein-frechen.de

Specs journal invites submissions

Specs is a journal of contemporary culture and arts at RollinsCollege that aims to create sympathetic interfaces between artistic and critical practices. The editors invite submissions of creative and/or critical work for the annual Fall 2008 print and web issue. We seek works of fiction, non-fiction, cultural criticism, artwork, poetry, and pieces that blur genre boundaries.

The editorial board consists of writers and academics from various fields. The editors are excited by specialty, an excess of detail, fragments, narratives, meta-narratives, and more.

The deadline for poetry, creative non-fiction, fiction, and art is March 3, 2008. We accept simultaneous submissions of creative work, as long as we receive prompt notice of acceptance elsewhere. Please limit prose submissions to under 6000 words and poetry submissions to 10-12 pages.

Email submissions as word attachments to editors@specsjournal.org

Remember to include a brief cover letter indicating whether you wish to be considered for the print edition, the web edition, or both. Please be advised that colour artwork with heavy graphics will only be considered for the web edition. Artwork for the print edition is limited to black on white work (4 x 7 dimensions).

Please also indicate the type/genre of submission in the subject heading (Poetry, Fiction, etc.).

We are also seeking art, fiction, poetry, and critical work that limits itself to one-page pieces for ONE/OFF, a special interactive section of Specs. In this section, we hope to force interactions between the print and web edition.

For more information, visit:

www.specsjournal.org

Call for Entries Rijksakademie Research Residency 2009

Founded in 1870, this prestigious residency opportunity in Amsterdam hosts fifty artists from all over the world, for a maximum of two years.

…However, the Rijksakademie is more than a residency: …[it] offers a unique blend of the features of artists' residencies and research centers at the highest international level…

Residents have their own studios and access to larger project spaces. They are supported on an artistic level through studio appointments with visiting artists and other advisors, aswell as technical specialist advice on research, experiments and production.

Eligibility:
-It is advised applicants should have been working independently as artists for a number of years. Residencies taken at the Academy, 3 to 5 years after studies have had the greatest impact on artist’s practices.

Deadline for application: 1 February 2008
To download an application pack and gain further information: see website

 

 

 


Our Regional Partners’ Website Addresses

Thapong – Botswana
www.artshost.org/thapong

Kuona Trust - Kenya
www.kuonatrust.org

Tulipamwe Workshop - Namibia
www.artshost.org/tulipamwe

Aftershave Workshop - Nigeria
www.aftershaveworkshop.org

Bag Factory - South Africa (JHB)
www.bagfactoryart.org.za

Greatmore Studios -South Africa (CT)
www.greatmoreart.org

Rafiki Art Trust - Tanzania
www.artshost.org/rafiki

Ngoma Workshop- Uganda
www.artshost.org/ngoma

Insaka Workshop - Zambia
www.artshost.org/insaka

Rockston Studios - Zambia
www.rockstonart.org

Surprise Art Centre - Zimbabwe
www.surpriseartcentre.org

Batapata Workshop - Zimbabwe
www.artshost.org/batapata

Wasla Workshop - Egypt
www.artshost.org/wasla

pArtage Workshop - Mauritius
www.artshost.org/partage

Sansa Workshop - Ghana
www.artshost.org/sansa

Funding provided by:

The Ford Foundation, The Royal Netherlands Embassy, The W.K. Kellogg Foundation, The National Lottery Development Trust Fund, The National Arts Council, The Arts and Culture Trust of the President and Robert Loder.