Bag Factory Artists' Studios

 

Tel/Fax +27 11 834 9181
Email: info@bagfactoryart.org.za


News Bytes


-
About Art: Business in Art Workshop.

-
Africa Remix Artists Visit The Bag


-
Jill Trappler: Studio Conversations  

 

- Johan Thom: The Theory of Flight


-
RE/Action: An Evening of Performance Art

 

- Interactive Video Weekend Workshops


-
About Art: How to enhance your funding application

- Past Residency Artist: Petros Ghebrehiwot

- Sunday Times Heritage Project

 

 

Opportunities

-
National Arts Council Call for Funding Proposals

- Africa Beyond call for applications - African artists' residencies in London

- International Artists' Workshop, Lahore, Fall 2007

- International Artists' Workshop, Karachi, Feb 2008

 

- Call for applications to participate in Dwayer’s International exhibition for digital arts Egypt

 

Please remember to check our blog on a regular basis for weekly news and opportunities.  To join the Bag Factory email list please sign up here: http://www.bagfactoryart.org.za/html/bagsub.html


August 2007

 

Maybe it is the recent release of J.K. Rowling’s last instalment in the Harry Potter series, the tabloid reports on the antics of wealthy heiresses like Paris Hilton and Nicole Richie, Damien Hirst’s Diamond Skull, "For the Love of God", reality TV or even the recent opening and launch of Africa Remix at the Johannesburg art gallery that has me thinking about the nature of fame and its relevance to the art world.  Being Famous is not what it used to be. 

 

In the past decades we have seen a shift in focus from the artistic abilities of the individual to a greater emphasis on personal presentation.  This much is particularly evident in popular music if one looks at the old videos of 50’s and 60’s pop stars vs. the music videos and stage performances of more recent years.  This is the case of video killing the radio star.  An increase in the use of video and performative material to sell music to the masses has simply dictated that the visual and ‘off stage’ presence of the star be part of the packaging. 

 

The concept of the artist’s persona is neither new nor alien to the realm of contemporary visual art.  Picasso, Pollock and Warhol made use of public opinion of their ‘private’ lives to fuel their image as temperamental artist genius.  The strange thing is that this idea of the individual artist genius, though very much a Modernist concept, did not die out with the popularity of Modernism.

 

The individual, creative-genius persona is if anything more popular which seems to me quite a contradiction.  In an age where technology like digital cameras integrated into cell phones can make just about anyone a photographer and personal musings posted on blogs publish streams of individual consciousness into cyber space can make anyone a ‘published’ author how does one stand out as an individual?     

 

Yet many public figures manage to do this and capture quite a cult following with their personal antics alone regardless of their more manifest creative endeavours.  The artist’s life becomes the art and regardless of whether one considers this to be art, there is no denying that keeping up one’s persona, particularly if it is an assumed one, must be pretty lonely, hard work.

 

The question is how much does one desire ‘fame.’  Almost everyone desires recognition especially of the financial kind, even if it is just to make ends meet.  As an artist one either wishes for respect of one’s personal creativity or to have what ever message one is trying to convey understood.  But in recent conversation with a number of individuals I have realised that for some, fame of any kind is desirable – even notoriety – and not for any specific reason other than to live a some what pop star life.      

 

Are we as human shaped blobs - in a world that (due to globalising culture) is ever blurring the nature of the individual - desperately seeking attention?  And is that attention worth more than the smaller scale respect and recognition that persistence and time may achieve for our creative out put?  Is it worth more than having one’s message heard?

And finally, if one does have a message or a hope to change some aspect of the world or our way of thinking, is it more important to bring that change about or to receive the credit as the one for having done so?

Rat Western
Newsletter editor

rat@bagfactoryart.org.za.

 

 

 


News Bytes


About Art: Business in Art Workshop.  

 

From the 18th to the 22nd of June, Jill Waterman (arts management lecturer at Wits University) ran a business orientated workshop for a pre-selected group of emerging artists at The Bag Factory as a part of the About Art programme.

The artists, from Soweto, Orange Farm and Hillbrow, were taught basic internet and email skills, how to write a biography, create a business card, write a funding proposal and draw up a budget.

After an intense week of workshopping, the group attended a Mapp Seta dance production at Museum Africa (featuring the aboriginal group Descendents) as a case study of a production produced during a learnership programme to which some of the students may wish to apply.

 

Africa Remix Artists Visit The Bag

 

On the 24th of June Africa Remix, the exhibition curated by Simon Njami, opened at Johannesburg Art Gallery. The show features 137 art works by 85 artists from over 25 countries on the African continent and it’s diaspora. The show was first exhibited in 2004 at the Museum Kunst Palast, in Dusseldorf in Germany, and was considered to be the largest exhibition of contemporary African art ever seen in Europe. The exhibition then toured to the Hayward Gallery in London, the Centre Pompidou in Paris, the Mori Art Museum in Tokyo and the Moderna Museet in Stockholm.

The Johannesburg opening is the first time this exhibition has been shown on African soil.

As part of the opening week’s celebrations a number of the exhibiting artists who were in town and staff from the Johannesburg Art Gallery joined the Bag Factory artists for drinks, dinner and a small exhibition of recent works by the Bag Factory artists.

The Exhibition is on at the JAG until the 30th September and a number of talks and linked events will take place during this time for more information on these please visit the Africa Remix Johannesburg site: http://www.africaremixjoburg.com/

 

Jill Trappler: Studio Conversations

 

Jill Trappler, committee member at The Bag’s sister organisation in Cape Town Greatmore Studios, will be opening her exhibition, Studio conversations, this Sunday at Orange Street Studio. The studio exhibition will comprise of a variety of works that Trappler has made over the past 30 years. Read More about this event on Greatmore’s website.

  

Johan Thom: The Theory of Flight

 

Wednesday 18 July 2007 Bag Factory Artist, Johan Thom opened his solo exhibition The Theory of Flight.  The exhibition which included a video installation and photographic prints, was a documentation of a performance work that Thom originally presented in Bangladesh last year.
The show closed with a closing event: an evening of performance (the products of a workshop conducted by Thom) entitled RE/action.

 

More information on Johan Thom:
http://www.youtube.com/thomjohan
http://www.art.co.za/johanthom
http://kaganof.com/kagablog/category/contributors/johan-thom/

 

RE/Action: An Evening of Performance Art

 

In conjunction with his solo exhibition at the Bag Factory, Johan Thom ran a two weekend workshop on performance art with 11 arts practitioners.   The workshop consisted of a brief introduction to some seminal performance art works in the history of the medium and a series of practical exercises which culminated in an impromptu day of performance at Johannesburg Art Gallery where the participants each presented a spontaneous performative interaction inspired by works on the Africa Remix show. 

 

As a final presentation and to close Thom’s exhibition, The Theory of Flight the workshop participants proffered an evening of new and original performance pieces entitled RE/Action on the 8th August 2007.   The workshop participants were Shane De Lange, Candice Hirson, Bronwyn Lace, Malvin Mokhonya, Anthea Moys, Rob Peers, Anthea Pokroy, Mishkaar Roberts,  Debbie Rogers, Lerato Shadi and Rat Western.

 

Interactive Video Weekend Workshops

 

Tegan Bristow is once again running the interactive computer workshop as a part of the About Art programme.  This is the third time the course has been run and has proved quite popular.  Should you be interested in taking part in this course in future please contact Bronwyn Lace at bronwyn@bagfactoryart.org.za or telephone on 011 834 9181.

 

About Art: How to enhance your funding application

 

As the applications for funding from the National Arts Council will be due shortly the About Art programme reran the How to Enhance your Funding Application workshop with Jill Waterman.  We will be rerunning these funding workshops in conjunction with the deadlines for various organisations.  Please visit our blog regularly to find out when the next workshop and/or funding application is due.

  

Past Residency Artist: Petros Ghebrehiwot

 

Last year, the Bag Factory hosted painter Petros Ghebrehiwot from Eritrea on our International Residency programme. Ghebrehiwot has gone on to exhibit in Durban, Cape town and to take part in the residency programme at Greatmore Studios in Cape Town.  In August, Ghebrehiwot opened a solo exhibition entitled Gathered Spirits at AfroNova Gallery in Johannesburg.  The exhibition closes 22 August 2007.

 

Sunday Times Heritage Project

 

Bag Factory Artist, Kagiso Pat Mautloa, has recently completed a sculptural work as part of the Sunday Times Heritage Project.  Mautloa’s work is in memory of those who suffered and died in detention at the John Voster Square police head quarters in Johannesburg.


The site specific work is a huge rock on a concrete plinth, bound by wire, symbolising resilience as expressed by the Zulu word simakade (forever standing), to be etched into the plinth in several South African languages.

 

Other Bag Factory Artists and associates who have been involved with the Sunday Times Heritage Project include Stephen Maqashela, Sam Nhlengethwa and Madi Phala

 

 

 

 

 


Opportunities

National Arts Council Call for Funding Proposals

 

The National Arts Council of South Africa invites applications for funding to the arts in following areas:

Arts project funding in Music, Literature, dance, Theatre, Craft and Visual Art
• Arts projects by individual South African artists that begin in 2008. Note that projects led by an individual
may include other people in the project as well;
• Arts projects by registered South African arts organisations that begin in 2008.

Arts bursary funding for the 2008 academic year
• Arts bursaries for individual South African citizens for post-graduate study in South Africa ;
• Arts bursaries for individual South African citizens for study abroad;
• block bursaries for educational institutions registered
in South Africa .

How to apply
Complete a hard copy of the NAC’s new ‘general application form for funding to the arts’.

The form is available in all 11 official languages and contains detailed guidelines and submission details. Submit the form together with supporting documentation
to the NAC before the closing date.

How to get the application form
Request the form via email: info@nac.org.za
Via the internet: a PDF version is available at www.nac.org.za
Request the form via telephone: (011) 838 1383
Forms will also be available at the NAC offices in Newtown and at various sites in your province

Closing date: 17 August 2007
Forms received after the closing date will not be considered

 

Africa Beyond call for applications - African artists' residencies in London

 

CALL FOR APPLICATIONS - THREE-MONTH RESIDENCIES IN LONDON

Africa Beyond aims to keep African culture in a central position within the modern UK landscape, through its website and other media, lively public events, and now through a series of residencies in London beginning in April 2008.

Gasworks International Residency Programme will play host to three visiting artists from Africa who will be supported in developing a project with InIVA, Photographers' Gallery, or the Southbank Centre.

Established contemporary visual artists from Africa, who have not spent extensive time working in Europe, are invited to apply for this programme. Each of the three residencies will have a specific aim and focus:

At the Southbank Centre, the residency will focus on the display of new and existing work, showcase his/her practice on a major public platform. The residency with the Photographers' Gallery will focus on an artist's contribution to the community and the role of education in artistic practice. At InIVA, the artist will have the opportunity to develop and contribute within a leading space for research and discussion of contemporary art. All artists will be provided with a studio and support at Gasworks.

Applications must state which residency/institution the artist would like to become involved in.

Please click here to read further

 

International Artists' Workshop, Lahore, Fall 2007

 

VASL Lahore will be holding its two week International Artists' Workshop end this year. Applications are open to artists and dates of the workshop will be coming up on the VASL website as soon as they are confirmed. Please check: www.vaslart.org.

Download application form and send it together with your CV and a maximum of 10 images to vaslahore@yahoo.com

Deadline: August 28th 2007

 

International Artists' Workshop, Karachi, Feb 2008

 

Two week International Artists' workshop scheduled for Feb 2008. Applications from Pakistani and International artists are welcome now. Download Application and send with your 12 recent work images and CV to vaslinternational.workshop@gmail.com

Deadline: October 15 2007

 

Call for applications to participate in Dwayer’s International exhibition for digital arts Egypt

 

Hosted by the Dwayer Group for arts and Dialogue of Cultures in collaboration with Atelier of Alexandria Assembly of Artists and Writers, this international exhibition which will take place from 20march to 31March 2008 invites all artists from all countries around the world to participate in this festival aimed at converging a high caliber of work from artists working in a digital medium. Interested artists are asked to submit printed copies of their executed works by the digital printing techniques accompanied by an updated CV and a complete application form obtainable on www.dwayer.org to both digitalarts@dwayer.org and info@atelieralex.com . The deadline for applications is 30 November 2007.     

 

 

 


Our Regional Partners’ Website Addresses

Thapong – Botswana
www.artshost.org/thapong

Kuona Trust - Kenya
www.kuonatrust.org

Tulipamwe Workshop - Namibia
www.artshost.org/tulipamwe

Aftershave Workshop - Nigeria
www.aftershaveworkshop.org

Bag Factory - South Africa (JHB)
www.bagfactoryart.org.za

Greatmore Studios -South Africa (CT)
www.greatmoreart.org

Rafiki Art Trust - Tanzania
www.artshost.org/rafiki

Ngoma Workshop- Uganda
www.artshost.org/ngoma

Insaka Workshop - Zambia
www.artshost.org/insaka

Rockston Studios - Zambia
www.rockstonart.org

Surprise Art Centre - Zimbabwe
www.surpriseartcentre.org

Batapata Workshop - Zimbabwe
www.artshost.org/batapata

Wasla Workshop - Egypt
www.artshost.org/wasla

pArtage Workshop - Mauritius
www.artshost.org/partage

Sansa Workshop - Ghana
www.artshost.org/sansa

Funding provided by:

The Ford Foundation, The Royal Netherlands Embassy, The W.K. Kellogg Foundation, The National Lottery Development Trust Fund, The National Arts Council, The Arts and Culture Trust of the President and Robert Loder.